Showing posts with label northeast india. Show all posts
Showing posts with label northeast india. Show all posts

Tuesday, February 5, 2013

The De-Classic


The De-Classic
Speaking of the rich artistic traditions of India, any Indian should be rather puffed up by pride. There are two streams of classical music in India with their divergent schools, viz. Carnatic and Hindustani. The former has moorings in South India and the latter has strong Persian influences and was immortalized by the court-musicians of the Mughal emperors. Elaborate ramifications of music have made any attempt to study classical music a herculean task and many do not have the calling. It calls for a quasi ascetic pursuit of the discipline.  Similarly, the Indian classical dances are Bharathanatyam, Kuchipudi, Mohiniyattam, Odissi and Kathak. There are many more dance forms which require elaborate erudition and systematic practice.
The rise of classical art forms are strongly linked to a culture of leisure. The discipline that leads to erudition and aesthetic sharpening basically springs from the fact that you have enough time and means to pursue your taste. In a land where the majority are underprivileged and ahs minimal exposure to the comforts of life , there can only be a spontaneous expression of the élan and not a systematic exposition. Nowadays, the interest for folklore are on the rise. Kudos to those who dare to see.
This occurred strongly to me as I was watching my friends ofVeo ( an interior hill country of Arunachal Pradesh in India, the foothills of Himalayas, where the various hill tribes inhabits) rehearsing a welcome dance. The dance steps all looked the same to me, but not without a definitive charm. They had nuances which I was not able to appreciate. These ladies were home after a backbreaking day of hauling sacks of grain from their fields to their granaries uphill, which indeed was after long spells of harvesting when they bend over with scythes. They lacked everything which could appeal to a Classical afficianados.

 I wonder how the steps exactly followed the lead, something very remarkable in what I thought to be an impromptu situation. Perhaps music is too rooted in their veins.
also WATCH Bihu Dance of Nocte Tribe

Sunday, January 13, 2013

The House of Rising Sun


I stepped on a man. Though painful to recall it is one of the first steps toward Arunachal that I made. It happened in one of the air-conditioned cars of the longest-running train in India. No intruders were expected but there were plenty of them if by intrusion one means travelling without a valid ticket. Those were the times of the Exodus, when North-Easterners were fleeing South in fear of life. The fat and receding eyelids always gives a pensive air to the mongoloid face, and a morbid fear can only add to it. The train was unusually packed, many times the capacity, with terror-stricken brethren from the North-East. Elsewhere in India, their physique betrays them as someone very distinct from being Indian, bordering on a Chinese ethos- a classical situation of stranger-danger. Very often men are like herds, each one strong in one’s own turf, feeding on mutual distrust. Geographical and ethical demarcations are too deep-rooted in our collective psyche.
An assortment of military and paramilitary troops is present all over the north-eastern hill states. The staccato of rifles resound in the valleys. When one hears that one can tell it apart from a poacher’s gunshot and the next best thing is to run for cover. In those districts inhabited by the Naga tribes bordering Myanmar, insurgency and counter-insurgency operations are the order of the day. These ops include indiscriminate firing and what falls out can equally indiscriminately be termed as casualties of war. It was only the other day that a village was set on fire after a showdown with portable missile launchers by two secessionist parties. Living in the districts bordering China can knock you by the drone of fighter jets doing routine sorties or reconnaissance missions. If you are more on the romantic side, then you can cherish the sight of a white Himalayan crest gleaming hundreds of miles away, a sight which you can get from Lamdeng village on the way to the friary in Veo. Nevertheless do not fail to remember that you are in the theatre of the Himalayan Blunder and there are still menaces lingering. Once a bunch of students admitted that they would fall for China in the wake of an invasion. Perhaps a jest but not a good one. Given that the youth fashion themselves around a blind imitation of the Far-Eastern culture there is practically much to worry for the Indian mind. Arunachal is so remote, culturally and physically. Harping on the maps from the Imperial period, China claims entire Arunachal as theirs. In a frantic bid to expand their soft power, China deeply infiltrates the cultural milieu of Arunachal. This is palpable even from a cursory glance at the social shifts, attitude to religion and disproportionate consumerism. When in Arunachal we are in a land being torn apart on various grounds with nobody to properly tend her wounds. Arunachal is the epitome of a neglected and exploited lot.
The inhospitable terrain of Arunachal poses logistical nightmares which the airborne top brass fails to notice. The Border Roads Organisation is doing a remarkable job but it is cripple in its own rights too. It is difficult to imagine the strenuous course and time involved in daily conveyance. The indigenous people are accustomed to this pedestrian way of life in a degree par excellence. One will be awestruck by the sheer weight they carry as a routine, uphill and downhill, a course along which hauling sole body itself can be a suffocating business. Believe me; I have seen even undernourished kids carrying bags heavier than themselves. I should be even more reminded of this when I walk with my luggage on comfortable and ergonomically designed bags down the aisles of a neatly paved railway platform. The people are adept at the art of finding the shortest (at the cost of comfort) routes to the destination (even if that involves the breaching of a perimeter fence!) but this luxury is not possible in laying roads. By way of example, if one boards a vehicle to the new friary in Veo from the nearest town of Seppa and another prefers to make it on foot then the latter would reach far ahead in time. The musculature of the indigenous people has to be a supporting factor because they frolic in the hills like yearling sheep and are built to survive. Our equipments and predispositions can become severely limited when met with conventional wisdom. The sheer distances to be travelled on backbreaking roads is one of the major difficulties in life here, that too constantly attended by deep ravines on any one of the sides. Disaster can come swooping down like an eagle. Well, this is a bother only if the road is open for travel. Torrents and landslides can block the roads at leisure and leave the lands locked, a state of natural siege, choking the arterial supply chains. This becomes critical at the face of medical emergencies or time-sensitive situations. There is no electricity 24X7 (if at all there is electricity), ergo no stable communication facilities but they hardly notice because there are more important things in life. Even as I watch the brothers coming back from a ground zero, an ascent of few miles, after desperately waiting for hours to capture a weak cell phone signal and to make an urgent call, I can hear the raucous cry of ravens flying away in the early dusk from the hills to roost as if drawing my attention to the memory of a raven that brought unsolicited chunks of meat to Elijah in the wilderness of Judea. Remarkably, when power supply resumes after long bouts of outage, the people welcome it with a salutation “Jai Jesu”(Hail Jesus.)
Life in the villages is very close-knit and dictated by tribal norms.. Arunachal is blessed with beautiful people, scenic places, cascades, virgin forests, brooks and birdsongs. The prominent tribes are Nyishi, Apatani, Adi and Tagin claiming their lineage from the patriarch Abo Tani and on the eastern side the Naga tribes of Nocte, Wancho and Tangsa. The Tani family of tribes derive their titles from the name of their original villages but among the Naga tribes a different convention is followed. In tribal life there are different levels of allegiance and one’s title can become the highest determinant. Title is the strongest signal of fraternity. Intermingling of titles can be found in urban settlements but a village always has a predominant title. Cognomens are integral part of existence in this part of the world and it can very often become a matter of life and death, especially in the case of a vendetta. The tribal norms honour the Lex talionis. Villages are perched on hilltops and some are so far flung that one has to walk on foot for a day to get there. The missionaries here are accustomed to such arduous journeys in the gospel tours. People live in large bamboo houses standing on stilts. There can be many homes within a house but each with its own fireplace. The fireplace is central to their lives; it is the centre of familiarity and hospitality and has two separate decks on top to facilitate curing and smoking of foodstuff. The villagers keep poultry, pigs, and cattle but typically not leashed. The animals move about like domesticated wild ones. The most instructive part about living in a tribal village is that it helps us to shed the lavatorial and gastronomic inhibitions (i.e., food and its turnouts.) The day in a village begins very early because dawn sets in early and so too the dusk. People are involved in hunting, gathering, scorched-earth cultivation (jhum) and wet cultivation in the fields. Rice is the staple diet and they seldom milk cattle and consume it. One cannot say that the diet is rich in nutrients. Toil and the deficiency of nutrients make the people look prematurely aged. Bamboo is ubiquitous, versatile and indispensable. Cured shoots of bamboo is an important delicacy. The village experience is one of the best things that happened in our lives. One of the villages was 600 years old and like any other villages had a history of bloodshed and internecine wars and a myth of origin. Reminiscent of an animistic past many of the villages still treasure certain monoliths which they consider sacrosanct. Geologists are unearthing rare meteoritic rocks from many districts. The villages have always known them but as clubs and warheads of demons plunged down from a celestial arena. The tribal make their utensils and artefacts out of stone, wood, gourds and bamboo. Each tribe has its unique and distinct design of daggers, knives and swords. They are necessary for survival in the wild and to work on bamboo and wood but can also become vicious as rising instances of violence and murder in townships tell us. Carrying these blades in intricately designed sheaths of bamboo is a symbol of honour.
Arunachal is predominantly Christian but the traditional religion of nature worship, Dyoni Polo, is considerably rooted. The societies still preserve the traditional festivals but with improvisations to humour the Christian faith. As a matter of fact, Protestantism is deep-rooted in the societies and it appeals more to their upbringing. Baptist and the wide array of Revival Churches with their charismatic praise and worship, dance and music are more palatable to the indigenous population. It would serve good for the Catholic Church to indulge in introspection at this juncture and examine how we fail to hit the mark. As we were opening the new friary in Veo, people were more interested to know when a school would be opened. Nothing rides higher than their tribal sentiments. There are lot of people who are sceptical about the transformations Christianity has wrought in these communities. They accuse Christians of destroying the traditions and robbing them of the pristine innocence and community bonds. Proliferation of Protestantism is a correlate of the rampant consumerism in these societies. For them, Catholicism is full of incomprehensible doctrines and time-consuming rituals. Given that the missionaries are non-indigenous and are not adept in the tribal language and customs, people prefer lay leaders as spiritual advisors and this reeks of dormant anti-clericalism with New Age churches stoking the fire. The people do not fully appreciate the value of sacramental life. At least for this generation adherence to any creed is a matter of convenience. Ironically, this anomaly has come to a church community which suffered persecutions to preserve the incipient faith.
In the light of above observations, residential schools can become strong instruments of evangelization by shaping the young minds. Education and healthcare are the keys to evangelization in Arunachal Pradesh. Her body and mind is scarred by the extremely demanding lifestyle she finds herself in.
When you raise the Sacred Host and communicate it with the words “Body of Christ,” a look at the weathered and tattered hands and faces of the people cannot but reveal to you the Body of Christ staring at you with an unquenchable thirst.
-a sojourner in Arunachal Pradesh, whose name is immaterial...

Friday, August 17, 2012

Photograffiti


Photograffiti
            When a girl was molested in the streets of Guwahati, a few months ago, there was a journo at hand capturing every single moment of the assault in his cam and got it later streaming in the Youtube, of course pixellating the image to smooth the sensibilities of the viewer. Debates came in quick succession and fingers were pointed at the skewed ethics of the photojournalist. How vague are the lines that separate right and good! It is known that all our moral judgments are based on a value, which depends on one's station. It was reminded that it was the duty of the journos to report and reproduce the event rather than preventing the event. That is a very professional view of things, of that sort of coarse and heartless professionalism that drove the Pulitzer Prize winner Kevin Carter to a desparate end. Martin Luther King is reported to have stopped a photographer who sought to intervene when an outrage was committed against him suggesting that the latter should record the events and bring it to the world so that the world shall know them and thus it is not just a single instance of outrage that is prevented but all the future recurrences. Perhaps we are confusing the photographer's "right" with our "good." What if the photographer is only saving the records to bring it later to an audience who are ready to decide on the course of actions? Such newsfeeds should be maintained to bring a consolidation of events around us and to trigger corrective actions. That is the most natural thing we can expect from man.
            The problem does not stop there. We are confronted by a situation where every other person is wielding a camera and is quite senselessly adept at it. We have become a lot obsessed with the delights of vision. When everybody becomes a self-styled reporter the reporting is taken into a realm that transcends the primary, actual and immediate capabilities of man. We record events out of fascination. When everybody runs the cam then who is the target? One has the provisions to broadcast the video captures as raw as he meant it and get it running. Doing so would displace the responses that the report could generate to a virtual plane, where anonymity is the order and where nobody really cares. Suppose a brutal act of assault is taking place before a crowd and nobody cares to intervene. By later presenting a video footage of the same, sourced by various onlookers, we are depriving the victim of that justice he should have received immediately in space and time. What is the good of elevating an event to a plane of discussion and ideational exchanges when action was precluded in the first instance? We are a folk who have reserved stock words to express our pseudo-commiserations. There will be a time when even the most violent turnout in one's life becomes only a piece of information for the world whose emotional appeal, if at all there is any, will be systematically painted over by the diktats of the technocosm.
            Susan Sontag has aptly observed that a camera is "the ideal arm of consciousness in its acquisitive mood." She also notes that any knowledge derived from a photograph is not ethical or political and that it is at the most sentimentalist and that photographs cater to an aesthetic consumerism. Attempts have been made to reproduce a historical event using photographs and cinema and we shall call this supplement to historiography as historiophoty. Certain emotions are better conveyed in visual or imagistic depictions rather than verbal discourses of the traditional historiography. It was firmly believed that the pleasures of man are largely scopic and that of women tactile. This is the very reason that man is capable of ocular assaults- the very look which can engender a sin. This is yet another reason why the girls are always skimpily clad in the silver screen even when their male buddies will compensate superfluously for their deficit. That seems to be an old story if we believe the social watchers of our times- women have started ogling at men now and so you understand why the heroes move about baring their abs. This is no minor indication. The very sense of sight has overwhelmingly run over all other faculties of man. Just pay attention to the advances made in display technologies that we relish in our television screens. It is a race to capture even the finest detail and with the advent of ambient modification techniques we will be tempted to take the projections for reality. The designers may cut down anything but not the screen size. Read with this the deluge of reality shows that can go to the most ridiculous extremes. We are concocting reality.
            When an event is caught in an amateur cam (we can spare the journos because they are condoned by certain interpretations of their professional ethics) does the photographer makes an ethical evaluation of the situation- something like him saying that he caught it in the tape because it was an infraction which needed to be publicized? Very often, it is not so. When we speak about moral judgments, some are of the opinion that our moral judgements are drawn from sensory appraisals. We may call it a "Humean" version. There is the "Kantian" line which suggests that there involves reasoning behind all our moral judgments. Controlled experiments regarding the moral judgments one makes reveal that sense and reason play non-exclusive roles and so it is aptly suggested that men are "Rawlsian" creatures in their moral judgments. It was John Rawls who suggested that there is an inherent moral grammar which determines our moral valuations. The amateur photographer is largely the one who is detached from the gravity of the situation and is only concerned with the rarity of the sight. The intelligentsia who dwell on these problems are equally clinical. They represent the opposite poles of sense and reason. In the age of information proliferation, even the slightest of microhistories are prone to get global attention if sourced through the appropriate channels. This should not be a violation of the privacy that the dignity of the individual justly demands. As men we should be keener on coming to the rescue rather than feasting on the flesh of a violated, mangled or wrecked body.
            Sontag writes in Regarding the Torture of others that the lynching photographies, like the ones from Abu Ghraib are maintained as trophies. This happens in our place too, when the vigilante groups or individuals commit an atrocity in the name of an ideal they believe and represent and eventually circulate the record of the act in the web. Even when the act is blatantly criminal, they maintain a daring impunity over publicizing it. This is the case when an onlooker or a perpetrator take the photographs which is exactly the journos' cup of tea. This ubiquity of photographs reveals a wide spectrum of emotions which can never be treated as one and the same.
            There is a very poignant message in the Jackie Chan starrer Police Story. A team of police officers are led into a deadly trap and are killed by a gang of cult gamers. They make that fatal operation into a video game and post it in the Net. Knowing that the whole plot is centered on the depression Chan is in, unable to reconcile with his state as "the one who lived to tell the tale" and accusing himself for the death of his team, presumably the most devastating phrase found in the script is "they made you into a videogame."
Carelessvespers.blogspot.com
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Ephraem maria gilbert
Capuchin ashram Thumpoly
14 August 2012